Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Friday, 26 February 2010

What Peter Did Next


Apparently, Peter Andre has lucked out and is now starring in a movie, From Paris With Love, alongside John Travolta and Jonathan Rhys Meyers.

Quite how Mr Andre managed to push Mr Meyers off the promotional material and not get main billing must be one of the marketing blunders of the year!

All we need now is for Katie Price to do a film with Olivia Newton-John. The mind boggles!

Thursday, 14 May 2009

The Sound of Silence

The sign outside read 'The People's Voice Conference - We say what you think'.

If the civic hall could articulate a sense of pride, this would not be happening, nevertheless, they were here and they were here for three days.

The People's Voice started off small, as these things do. Just one voice, crying in the wilderness of the modern media landscape.

It was a collection of people who had just had enough. Usually these things were protests or campaigns organised by special interest groups. This time it was just a reaction to everything.

Clarification: It was a reaction to everything that was happening in the movies, TV and music.

Now every generation bemoans the slipping of moral standards in the next and at first it seemed to be just that.

Protests were held about the sexual content of one movie, the violent content of a TV program or the offensive sentiments of the latest number one single.

These weren't your 'Million Man March' type of protests. These were just despairing posts on the blogs of stay-at-home Mums or guests on daytime discussion shows or radio phone-ins.

In general, the media's reaction was a typical response as they countered the concerns of these average folks with hyperbole about restriction of free speech and censoring self-expression.

Most people are quite reasonable and don't want to cause trouble and so they back down, still troubled, but not wanting to branded as some kind of unsophisticated imbecile who is out of touch with the modern world.

This time though one man refused to bow to the bullying tactics. He refused to back down from what he believed was an acceptable social standard.

He didn't accept the peer pressure. He didn't accept the excuses of the media that their content had nothing to do with the decline in society. He knew the power of propaganda.

That man was the leader of The People's Voice.

He was ignored in newspapers, was never invited to TV debates, not acknowledged at all other than to make fun of him in satirical parodies.

Yet his voice grew louder. He spoke in local clubs. He spoke at fairs. He spoke at festivals.

Wherever the people were, there he was.

And people listened.

They didn't just hear, they actually listened.

As they stood there, one-by-one, they felt the truth of what he was saying. They knew that despite what they were told by those in charge of feeding them information via the regular news channels there was a direct influence on the behaviour of individuals as a result of what the culture exposed them to.

He spoke about those most vulnerable were those with no strong role model in their life. Especially those with absent parents.

There was more than a touch of recognition in people's hearts as they realised they had never really had a relationship with their own mother and father that had been anything more than living in the same house.

There was more that a guilty tear shed when a parent saw that they had not taken more than a passing interest in the responsibility of bringing up their child and had been more than happy to avoid tackling difficult issues by letting them learn about life from various exaggerated forms of entertainment.

Although there may be nothing that could be done for a potential 'lost generation' there was something that could be done for the next.

There was a way to halt the lack of respect for authority which was promoted as a form of anti-heroism.

There was a way to bring back a sense of responsibilty which this lost generation had never seen in their elders.

There was a way to bring back a tangible sense of local community which had been lost in the globalisation of communication.

With this message being passed from person to person it spread and took hold. Those who cared, talked about it constantly. At home. In the pub. At the school gates. On Cigarette breaks. At the bus stop.

Those who didn't care just let it all pass them by. They had their own worries. They had their own ambitions. They didn't want to be 'out' of the 'in crowd' and express an opinion that went against their peers.

That's why they didn't see it coming.

All it needed was for the potential to be harnessed, the momentum to be released.

The conference started but never finished.

After the first day people felt powered up and anxious to make something happen. The second day twice as many people turned up. Fire regulations were breached, but if you cared, you had to be there. By the end of the day it reached fever pitch. All in attendance fuelled each other.

What can we do?

When can we do it?

Why wait for tomorrow?

They spilled onto the streets and they didn't waste any time.

No-one could recall whose idea it was. Nor could they tell you later on quite how they managed it.

First they dismantled their own TV Aerials and satellite dishes, but what about their neighbours?

They couldn't just deface someone's house without permission. It would go against the principle of the thing.

The legend goes that through the clarity of thought only a child can provide, one young boy pointed to a hill on which a broadcast tower stood and said 'why don't we just take that down?'.

A whole region suffered a media blackout that night and a confused media didn't quite know how to report it. They wondered who these mad people were.

Eventually though the soundbites were silent as all the People's Voice was heard loud and clear.

That wasn't the end of the story by any means, but the revolution had begun.











Character: Censor Plot: Welcomes Resolution: Aerial



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Now playing: Gene Vincent - Be Bop a Lula
via FoxyTunes

Monday, 19 January 2009

Make a movie time!



This site is so cool!

I discovered it a while back, obviously meaning to come back to it and today I did and I remembered why I'd bookmarked it.

I can imagine I'll be using it a fair bit as will my kids.

This movie was only a quick test, but you can add more scenes to make more of a thing of it.

Maybe I'll create a few more if I can think of a reason why!

Tuesday, 30 December 2008

Goodbye to 2008

It feels like the right time to take a break from the holiday fun (such as it is, with both Karen and myself both full up with a cold) and take a look back at what's gone down with this year.
Musical Highlight of 2008
As ever, tying me down to one standout musical moment of any time period (unless it's the last five minutes) is impossible. I have a favourite song for every mood and occasion and I love them all equally on an emotional level. However, as the point of this blog is about writing I'll try and be more critical.

Usually a decade has a musical trend that defines it usually in the main pop scene but also on the underground levels. This year, I think the dominant trend is for pop to have drawn heavily on underground 80's indie sounds. The Wombats, Foals, Black Kids, Ladyhawke, Late of the Pier and Friendly Fires have all come to the fore sounding like a progression of the bands that I thought were cool and rebellious when I was in high school (which is now longer ago than I like to admit).

Its been a good year in other areas too though with bands like Hot Chip, TV on the Radio and Kings of Leon as top contenders.

Ultimately though I'm torn between two bands from the US who don't actually sound like they're from the US.

MGMT and Vampire Weekend.

I like both for different reasons. Vampire Weekend are VERY pop, but not cringily so. There's nothing wrong with catchy songs so long as they are sincere attempts at expression and not cynical productions following a formula where the artist doesn't matter. I can enjoy that kind of pop.

MGMT on the other hand represent that other side of me that just wants to rebel against the norms. They aren't rebellious in the seventies punk style, I guess its more akin to the hippie kind of anarchy that their dress style seems to represent.

If I had to choose one then it would probably be Vampire Weekend, if only because they seem to have more places to go whereas I'm not sure how MGMT can sustain their invention over more than one album. Instead I'm going to give it to MGMT for one reason only. I can't play the VW album to my kids because of the swearing, which is a shame because they love the edited versions they see on the TV.

TV Highlight of 2008
I'd like to throw up a surprise or two here but at the moment there's nothing that really touches my pick for the year. Before I reveal it though I'll give a few honourable mentions for programs that I've enjoyed even if they haven't set my TV world on fire.

Harry Hill
has been consistently funny thoughout the year. His TV Burp program shows the absurdity of taking TV programs too seriously and his trick of inserting himself into the programs through clever editing tickles my funnybones in particular.

Battlestar Galactica
was also an intermittent pleasure but it can be heavy going as it is quite plot driven. Knowing it was coming to an end seemed to lift this seasons episodes and I'm looking forward to the return of the final episodes in the new year.

Chuck was another show that had potential this year. It was consistently enjoyable, but not dazzlingly so. With a second series coming in 2009 aybe it can shine a bit brighter.

A late contender was Survivors but the BBC's habit of only producing a handful of episodes per series means that it was over before it began. With a second set of episodes scheduled for next year then at least we know there's more to come but it's not enough to give it top spot.

Finally we come to my actual choice for the year. With an expectation bending season that looked like it might not even get off the ground, the 14 episodes of Lost that kicked off the year set the benchmark and was never beaten. With the developments coming thick and fast we finally saw some payoff to the first few seasons and whilst some questions about the plot have been answered we still have many more questions about the characters still to go. Do they have a larger purpose in the scheme of things. Does the Island have some larger purpose or will it all boil down to some small-time ambitions. At the moment I'm as hooked as I ever was and even though I'm probably setting myself up for a fall when the final season comes along, I'm still enjoying the ride. So Lost gets my TV pick for the year.

Movie of 2008
There's nothing I'd like better than to name some obscure, foreign-language film as my pick of 2008, but unfortunately I've been cured of my movie snobbery, so I guess I'll just have to go with the film I enjoyed the most.

The Dark Knight was the years most hyped film but for me it kind of disappeared up its own backside and failed to tell a compelling Batman story. I've always seen Bats as a detective so I actually like to see him using his brain once in a while. His fisticuffs should only be employed to get to where he knows he already wants to be, the fights and gadgets are secondary to the fact that essentially he is the greatest detective mind pitting his wits against other criminal masterminds. His greates enemies are usually insane because that makes them unpredictable. Those who follow a logical thought pattern are easy to catch. There should have been a better battle of wits between the two, although I have to admit the final showdown was classic. The switch was only predictable until just before it happened and it dawned what was going to happen. Ultimately disappointing for me.

Instead another film from the comic book genre came to my rescue. Iron Man showed lots of wit and character even though the film had even more of an excuse to show off gadgets than Batman did. It also showed the difference between Marvel and DC even more so than before. Marvel's ethos has always been about superheroes in the real world whereas DC invented cities to reflect the characters they created. Therefore DC created fantasy heroes who faced fantasy villains which you knew they would escape from. Marvel however put the hero in the real world, facing real threats and you were then able to suspend disbelief that the hero was in real danger.

So the charming Tony Stark (aka Robert Downey Jr) takes my pick as movie of the year.

There you go! The top awards go to MGMT, Lost and Iron Man.

I hope the next year has more in store than this past year.


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Now playing: Air - La Femme d'Argent
via FoxyTunes

Tuesday, 2 December 2008

My 2009 Prediction

After the Watchmen movie becomes an epic success next year I reckon next halloween will see the arrival of a new (though very chilly) costume.

Will you be brave enough?


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Now playing: The Hybrids - Suzy Parker
via FoxyTunes